Showing posts with label funny. Show all posts
Showing posts with label funny. Show all posts

Wednesday, March 15, 2017

I saw “Present Laughter”



What I saw: “Present Laughter,” a revival of a Noël Coward play, starring Kevin Kline at the St. James Theater on West  44th Street in Manhattan.



What I did beforehand: dinner at the upscale and modern Chinese restaurant Hakkasan at 311 W 43rd St. Some reviews dismiss it as being part of a chain. Pre-theater dinner options are limited, and this place is very good. Show up early and grab cocktails in the bar.



Something I ate: hot and sour soup with chicken and chocolate passion fruit dessert 


What I wore: a weird combination of a new sweater and tweed skirt, with tights. I should have worn wool tights, but I don’t have black ones. And a black Barbour down coat that is too tight in the arms and shoulders when worn over a sweater. 


Who went with me: the Bacon Provider and a lot of eager Kevin Kline fans.


How I got tickets: online, from Ticketmaster. Alas, they require you to pay quite a bit extra to get physical tickets, so I had to do the print-at-home deal. My preferred plan is to pick up tickets at will-call, so I don’t have to wait for them to come in the mail, store them, and remember to bring them. An 8 1/2 by 11” sheet of paper from my computer's printer with a bar code and some boxes of text describing the event is no substitute for actual tickets. Real tickets are memorabilia. E-tickets are trash.


Why I saw this show: I grew up in the same suburban St. Louis neighborhood as Kevin Kline, and back in the 80s I thought he was hilarious and brilliant.


Where I sat: Mezzanine Row A, seat 109, between my husband and a distracting woman who took up a lot of oxygen if not space.


Things that were sad: the acoustics were meh. I think the play would be better in a slightly smaller venue. 

Things that were funny: the chain-smoking Swedish housekeeper, the aggressive Trump-style injurious handshake of the wacky playwright, the baby-men business partners, slamming doors, ringing phones and doorbells. Kevin Kline is still hilarious and brilliant. What a joy to see great physical comedy live on stage. 

Things that were not funny: the actor who played the secretary seems to have been injured in the first act, and was wearing a bandage on her left wrist in the second act. The coffee that was served onstage over and over was said to taste like curry but in my excellent seats I could see plainly that it was water.   


What it is: another vehicle for an aging-but-vibrant actor; also a funny mid-20th Century farce from a true master of the genre about an aging-but-vibrant actor. 

Who should see it:  backstage comedy devotees, Kate Burton buffs, dressing gown enthusiasts, forties fashion fanciers, fools for redheads, Matt Bittner freaks, Ellen Harvey hounds, latchkey lovers, hat mavens, Noël Coward nuts, suckers for the mellifluous baritone of Peter Francis James, Reg Rogers regulars, Kristine Nielsen groupies; admirers of Tedra Millan (it’s her Broadway debut), Kevin Kline cultists, disciples of Cobie Smulders, and Bhavesh Patel boosters.


What I saw on the way home: jackhammers




Thursday, November 10, 2016

I attended as “a spouse”

What I did: went as my husband’s “+1” to an election night party, hosted by a cable news network, at the Fifth Avenue Empire Room, a rooftop lounge at 230 5th Avenue, in New York City.


What I did beforehand: voted, took the dogs for a sniffing walk, showered, tried to dry my hair, gave up on trying to dry my hair, put too much product in my hair, changed into jeans and a "Vagenda of Manocide" t-shirt, packed my party clothes into a suitcase, drove to town with a woman in a Land Rover tailgating me. When she turned for the highway, I could tell by the dark shadow that I had picked up another tailgater, now on the 30 mph approach to town where it is oh so tempting to go just a little faster. But I didn't go any faster, so when I realized my new tailgater was a local policewoman, I felt justified. I walked through town and saw the policewoman buying lunch, and I wanted to ask her if she voted and who she voted for, because I was still giddy and stupid and anxious with excitement.



On the train I worked on yesterday’s blog post on my phone, and when we pulled in to Grand Central I found myself surrounded by other women with overnight bags. They were all headed to hotels, too, but then they were headed to the Javits Center for Hillary Clinton’s election night shindig. I slipped going up the stairs.


What I wore: my mother loved dressing well and shopping and spent more time choosing what to wear than she ever would have wanted anyone to know. She had a perfectly organized custom closet as big as a bedroom. When she died, there were so many navy shoes and long, straight-ish skirts and knee-highs and slips in every color and interesting jackets of various lengths and creamy white blouses to wear under the interesting jackets. And unusual jewelry, of course, as well. I still have some, but not many, of my mother's clothes, but I do have a certain 90s-era off-white silk blouse which I've not worn more than once in the 11 1/2 years since my mother's death. I was thinking it should be my "white," since they were saying it's the color the suffragettes wore, and it seemed like it might work under my other pantsuit. I don’t normally pick out and try on an outfit the night before, but there I was, the night before election day, seeing if the pants from my other pantsuit fit well enough to wear. They did. I put on the blouse to see if it looked ok. It hangs out from under the jacket, but in a way that I liked more than I hated. When I took it off I discovered it was missing a button.


When I stopped crying about my haphazard sewing skills vs. mother's meticulous sewing skills and from stress about the election and then the realization that my mother would have loved HRC way more than I do and generally missing everything about my mother, I clipped one of the spare buttons from the inside of the blouse and sewed it on. 

And so, to the election night party I wore a black Eileen Fisher tank top, the gray Hugo Boss pantsuit with flimsy, unusable beltloops and no pockets (not even too-shallow pockets), gorgeous and understated jewelry from my generous husband, my grandmother's square-faced Longines gold wristwatch, and an amethyst pin that belonged to another female relative and though my mother made a big deal about telling me who it came from, it was too long ago for me to remember. I also wore net knee-highs and the loafers with heels that I put pads into finally so my feet don't slide around. 

One of his co-workers complained that
there aren't any bad pictures of him

Who went with me: my husband, who made plain back in April that he thought the election might go badly, and whose paranoia, as I called it, was informed by his having escaped a totalitarian regime as a child, and his uncanny ability to predict everything. 

How I got tickets: as the guest of the Bacon Provider, I was actually the only "+1."

Why I saw this show: I blithely said beforehand that I thought it would be fun either way. I genuinely believed that America would not elect a Russian-sponsored fascist. 


Where I sat: if you were watching live results on the right cable channel, you saw us in the front row. At least one friend did. 



Things that were not funny: at dinner, I botched the, "...And what do you do?" question again, but I made up for it by being somewhat ludicrously funny. 

By 9:30 one of the marketing people from the cable news network (who had made it clear at dinner that she was repulsed by the orange, frothy fountain of racism candidate, and excited for America's first female President), announced cheerfully that the disastrous installation of a lying, bankruptcy-addicted, child-rapist as United States President would, in fact, be very good for cable news, what with the advertising sold to air during impeachment proceedings and all. 



By 10 pm I started to be cold and miserable and when I went downstairs to find the coat check to retrieve our coats I got trapped in a party that wasn't ours and when a small mob of people crushed into an elevator, I finally saw the hall and found the gap in a black curtain leading to the event I had a wristband for, at which point I was waylaid by a security guy who thought I was headed out of bounds and I had to get all imperious in his face. 



Things that were sad: by 10:30 I was ready to move away from the United States for the foreseeable future. The other guests who were sitting outside with us retreated to the party inside or left for home. Drunk, anxious bar patrons grumbled amongst themselves about the tray of extra cupcakes abandoned on our table.  One guy came out of nowhere and asked me if he could take two. I told him they weren't mine to give away, but, ok, be quick about it. Others came. By the end, people weren't even asking; they were just taking.



Things that were funny: when my father was in the ICU towards the end of his life, I realized that he had lost his sense of humor. This was how I knew he was dying. There is nothing funny about last night's election result.


What it is: not a good day to be a person of color or LGBTQ. Or both. 


Something I ate: steak and one cupcake.

I violated this cupcake before I ate it.

Who should see it: look away, friends and readers abroad. It's going to get really ugly. 



What I saw on the way home: we spent the night in an upscale eurotrash boutique hotel because I had planned for a long night. I had multiple nightmares about crashing my car on the Saw Mill Parkway and woke with a migraine. 

He's reading about Stalin.


Outside it was just another bad, gray, Manhattan Wednesday morning. I followed a guy into the subway who was reading the big biography of Stalin I read when I was in business school. He was about halfway through. I let a flustered, old mustachioed woman cut in line ahead of me when I got a coffee and a glazed doughnut in Grand Central and commenced having a big, long, ugly, sniveling cry on the train. White men moved to another car. 



As we arrived in the sleepy town of Katatonia, I stepped into the drizzle and looked into the dark windshield of an oncoming Audi SUV. I didn't pause in the slightest before entering the crosswalk, putting my life in the hands of some rich asshole.

Saturday, April 16, 2016

I saw "Hold On to Me Darling"

What I saw: "Hold on to me Darling" at the Atlantic Theater on W 20th St., off-broadway (or, off-off-Broadway) in Chelsea, NYC

What I wore: James jeans, black suede Puma sneakers, black Brooks Brothers no-iron cotton blouse, black Zara cardigan with self-tie that I've had for ages and is the only item I've ever bought from Zara that didn't fall apart after one wearing; 90s scarf from my mother, who died 12 years and a couple of days ago; tan Barbour jacket.

Two Trinity Kumquat Saisons

What I did beforehand: stared in silence as I saw Joe Tippet and Theo Stockman on their way to their respective theaters; went to the crowded mall that is Chelsea Market for a sandwich, and may or may not have actually seen Ira Glass; waited for the show and had two Trinity Kumquat Saisons at a place called Cooper's while we took the place of the most famous people in the back bar; noticed that some young people of legal drinking age appear not to be old enough to hold job.



Who went with me: my good friend W., who should continue to come see a play with me once a month.



How I got tickets: online, full-price



Why I saw this show: because it was written by Kenneth Lonergan 

Where I sat: Row G, seat 11


Things that were sad: though billed as a comedy, this play is filled with bittersweet moments about mid-life ennui, about the decline of the American middle class, about grief and mourning, about overcoming the loss of a less-than-perfect parent, and about bad decisions.

Things that were funny: Lonergan's writing has the kind of humor that isn't so much about laying down the rhythm track of  peals of audience laughter as it is about teasing out a ballad of muffled guffaws.

Things that were not funny: a guitar is injured in the performance.

What it is: a well-crafted and satisfying funny play, in two acts, with a fifteen minute intermission.

Who should see it: fans of hearing brilliant dialog and reasonably accurate Missouri and Tennessee accents.

What I saw on the way home: the uptown E was waiting for us, doors open.

Thursday, April 7, 2016

I saw "Familiar"

What I saw: "Familiar," at Playwrights Horizons, Main Stage at 416 W 42nd St. in NYC



What I wore: quilted black Barbour parka (for the second time this winter), favorite black Fluevog "Guides," Wolford fishnet knee-highs that are totally worth the price, the way-too-long black jeans, Lilith silk blouse that is cream with tiny faces on it, and no makeup at all because I ran out of time




What I did beforehand: ate a lobster roll at one of the food vendors at City Kitchen. I had rootbeer

Who went with me: a new friend from the new barn

How I got tickets: online, full price (and my friend reimbursed me, so now I have a coat-pocket full of cash, woo hoo)

Why I saw this show: to the extent that a living playwright can, Danai Gurira has captured people's attention;  I got this text from a friend who saw an interview with her and she was all, "You should see her plays," and I'm like, yeah, ok. Also, I was looking for something family-dram-comedy but not too dysfunctional-family-ish to see with a new friend that might not appreciate, say, blood explosions or plays about rape victims.

Where I sat: Row E, seat 14, between my friend and a pair of ladies of a certain age who howled and laughed at all the same things as me




What it is: a funny drama, set in a midwestern American home, by Danai Gurira, performed in two acts, with one 15 minute intermission. The multi-racial cast of eight was the first cast that seemed to me to have the perfect actor in each role. 

Things that were sad: remembering my own wedding dramas insofar as they resembled the ones portrayed

Things that were funny: the play has a lot of laughs built in

Things that were not funny: I was promised, by a guy seated behind me at "American Psycho," that "Eclipsed" was the better and more important of Danai Gurira's plays in production right now. I disagree. He did, however, tell me I had excellent taste in plays when I told him "Hungry" was the best play I'd seen this spring.

Who should see it: fans of Danai Gurira, people from Minnesota, artists who feel their families don't understand them, anyone with a sister who has unexpectedly embraced Christianity, people from Zimbabwe, people who have relatives in other countries


What I saw on the way home: garbage



Tuesday, February 2, 2016

I saw "Avenue Q"

I had this idea that if I gave myself a more structured assignment for writing in 2016 it would be easier. I am a bubbling fountain of ideas that are theoretically valid and probably actually ridiculous. Maybe like it’s a chocolate milk fountain.

My goal is to see a show in New York every week, and post on Thursdays. Or, almost every week, because you never know. Do I need to explain why a chocolate milk fountain is a bad idea? Stickiness and spoilage are probably the two primary reasons. These might come in handy as reasons why almost any of my ideas is bad. Or should I say, “are bad?”


What I saw: Avenue Q
What I wore: dirty jeans and Danner boots
What I did beforehand: ate ramen
Who went with me: the Graduate
How I got tickets: online, the day before, full price
Why I saw this show: because people ask me if I’ve seen it
Where did I sit: the front row, on the end. It was a bit too close because the puppets never made eye-contact with us.
Things that were sad: (see end)
Things that were funny: (see end)
Things that were not funny: the character whose main comedic attribute was her Asian accent, or her two master’s degrees, or her name; the gentle joy of puppets talking about racism amongst friends, as if white supremacy was a Whoopsy!-side-effect rather than the product of hundreds of years of coordinated oppressive effort.

But, hey, whatev. You can have drinks during the show.
The theater (New World Stages) is in a “Cineplex beaten into a theaterplex;” it has two bars, plenty of women’s bathrooms (I shouldn’t have to comment about this, but I will), and the ambiance of a Futureland amusement park gift shop lobby.

What it is: a funny, snarky musical, conceived about 12 years ago, masterfully executed by a lively cast of talented singing actors, some of whom can do puppets, and a couple of whom can do one puppet and voice another puppet also onstage at the same time. Lots of singing pop songs about the indignities of young adulthood, with puppets. Avenue Q is set on an imaginary street in a make-believe Brooklyn-ish place and has simulated sex acts between puppets and puppet nudity, and some cussing, but not, like, a whole fucking lot of it.

Who should see it: grown-up people who like funny musicals, and people who don’t know what schadenfreude is.

While we laughed a lot, I left feeling like the show is a little dated, though certainly not in subject matter. None of the young people portrayed carried a smartphone all the time, and I felt like the show was missing a song about Snapchat or Tinder.

One of the women next to us has seen it three times. At intermission, her guest pinched the cocktail waiter on the butt, and then told him she needed to pinch the other side so it wouldn’t be jealous. He had a man-bun and a smartphone in his hand, with one of those white square dongles for paying by credit-card swipe, and as he slid past another row of potential customers, uttered the best line of the night, to people behind me, who were not ordering drinks: “It’s ok. I see you’re carefully avoiding eye-contact.”



Thursday, April 17, 2014

"Parenting Your Preschooler"

Sending our kids to a cooperative preschool meant we went to monthly parent meetings and sometimes we had a parent educator. I remember that we had one named Fran and another one who was Not Fran. I don’t remember if this story is about Fran or Not Fran. Fran had short hair and a dry, academic way about her. Children seemed like unwanted and unexpected carbonation in her drink as they bubbled about the classroom, her fingers twitching in reaction. As irritated as Fran seemed by the presence of children, she seemed even more undone by parents, especially those with a lot of questions. Not Fran had a mop of curly hair and warm eyes and a sultry overnight radio DJ voice. Not Fran liked to say understanding things about parents and children having clashing personalities. Both were prone to silences and somewhat grave. They attended every other parent meeting and we received parent education from them. I was a coop preschool parent for many years, something like seven or ten, and I remember well only one parent education lecture.

January-ish, 1991
Taken in the subway in New York City
Me, with my oldest child
Even though this story is about my youngest, it would 
take me weeks to find a photo of me with me youngest, 
if I have one at all. Back then, when we were still using 
film, and it was our third kid, the photo-taking didn’t 
happen very often.

This one evening, I had had a long day. My youngest child was only a couple of months old and had had a whole set of shots that day. He was still nursing so he came along to the parent meeting. That evening, he was uncomfortable from the shots, and very fussy. We did our regular meeting business about upcoming field trips, snack schedule, and changes in classroom procedure, and I had to step away from the group to attend to my cranky infant. Finally, I got him quiet in my arms and I tiptoed back to the group.

The parent educator, Fran or Not Fran sat forward on the sofa, her knees tightly together, her materials in a messy stack on the coffee table in front of her. Parents sat all around her, in the living room chairs, on the sofa arm, in dining room chairs they’d pulled in.

Fran or Not Fran was speaking in a quiet monotone on a subject that had everyone’s attention. All eyes were on her. She was methodically explaining that the technique she proposed relieves stress for both kids and parents, makes for more fluid communication, and models emotional resilience. Because I hadn’t heard what the subject was, I was having trouble following her. She droned on for a while.
  
When the parents started asking questions, I tried piecing together what she was talking about. I took my attention from Fran or Not Fran to the other parents. They were concerned, serious, reflecting on the topic. There was not even a half-smile to indicate the topic of discussion: they were talking about using humor in parenting. 

I did what I always do in awkward situations: tried to be funny. Just to get things rolling, I asked, “I’m sorry. What are we talking about?”

Fran or Not Fran turned to me, saying gently, “Using humor in parenting.”

“Oh,” I said. “Does it come in a refillable pump spray?”


No one laughed. The other parents looked confused. Fran or Not Fran looked mildly annoyed.